This week in the War, 30 Sept–6 Oct 1940: The statute of 3 October

On 3 October 1940, the first of the anti-Jewish laws was enacted by the Vichy government, which held authority in the Free Zone—that part of France that was not occupied by the German or Italian military.

The statute of 3 October excluded French Jews from public service—being teachers, etc. (Foreigners, Jews or otherwise, had been excluded since July).

Following 3 October, large numbers of foreign Jews were interned in the French concentration camp at Drancy. Eventually, many would be shipped to Auschwitz and to various death camps in eastern Europe.

Ironically, the proportion of Jewish survivors of the war was greater for France than for most countries that had been occupied by the Nazis.

Perhaps this was due to a public backlash, later in the war, when many French people were appalled by the forced wearing of the yellow star, and by the mass arrests and scenes of screaming Jewish children been brutally separated from their parents in the street.

Some senior clergy condemned the persecution from their pulpits, and some Christian families hid Jewish children and raised them as their own. Nonetheless, Julian Jackson (in his book France—The Dark Years 1940–1944) makes the point that the safest part of France for Jews was the south-west region that was occupied by the Italians.

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In the news: House for sale (in Paris!) & songwriter Cole Porter’s connection with the little song sparrow herself: Edith Piaf.

According to Jean Rafferty’s article in the New York Times (27 September 2012), A House… , Cole Porter’s old house in Paris is up for sale. For house, read mansion—or maybe palace or mini-château. Check the previous link for a picture.

Houses, as opposed to apartments, are uncommon in the Faubourg Saint-Germain district—or anywhere else in central Paris, for that matter. At €40 million, this one is a steal. [Before making an offer, those of you who earn your salary in dollars or pounds may want to wait a month or two to take advantage of the improving exchange rate].

Cole Porter moved to Paris in 1917, and wrote many musical comedies during the inter-war years—Fifty Million Frenchmen for example. Anything Goes is another example. The title, if not the musical itself, will be familiar to Indiana Jones fans. (Check the musical number at the start of Indiana Jones and the Temple of Doom).

By 1939, when Europe was again heading towards war, Porter’s wife closed down the Paris house while her husband was in the USA.

Most fans have a favourite Cole Porter song. Mine is Miss Otis Regrets… It is the tragic tale of the well-bred western heroine who shoots down the lover who wronged her. She leaves it up to her butler to inform visitors that “Miss Otis regrets she’s unable to lunch today, madam.” Alas, Miss Otis has been seized by the mob and has a prior engagement with the noose!

What a surprise, when I recently found a connection between my favourite Cole Porter song and my favourite French-language singer: Édith Piaf.  The Little Sparrow, as she was known (because piaf is a slang word for sparrow) was born in 1915. She was a child performer who matured into a wonderful vocalist, and she had a difficult and mixed-up life (a French Judy Garland, if you will).

The little songbird did a marvellous rendition of Miss Otis Regrets—en français, of course.

Piaf sang throughout WWII, often in Paris, and sometimes in Germany to French soldiers who had been captured during the Fall of France and were in German PoW camps. There were close to 2 million French prisoners of war in Germany.

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Vignette: Venus, Victory, and the Chateau de Valencay

A few years ago, my wife and I visited the Château de Valençay some kilometres south of France’s Loire Valley. We followed hordes of French school children bent on learning about their country’s history—or having a fun time, at least—and we toured the stately rooms, some dating from the 1500s, the immense kitchen with its elaborate ovens and gleaming pots and pans, and the dungeons. The children liked the  dungeons best of all.

Napoleon Bonaparte’s foreign minister, Charles-Maurice de Talleyrand purchased the château in 1803. Years later, with World War II well under way and France split between the German-occupied zone in the north and the Vichy free zone to the south, his descendant, Boson de Talleyrand, argued for neutral status for his château and its grounds. (He could claim a link to Prussian nobility through his title of Prince of Sagan).

The Château de Valençay became its own country.

For that reason, many works of art from the Louvre were sent to the château for safekeeping and survived the war intact—safe from the bombing, and safe from Hermann Goering and his like, who were looting France for her art treasures.

The famous Venus de Milo (sculptured around 100 BC) was one such treasure that found a home at the château (in the old coach house). So too was the even older Winged Victory of Samothrace (la Victoire, in French), dating from around 330 BC.

Hermann Goering was quite taken with the Winged Victory—wishful thinking, maybe, given the mauling his Luftwaffe had taken during the Battle of Britain. He had a life-sized plaster replica shipped to his Carinhall mansion near Berlin. (See my post of 26 September 2012 on Rose Valland).

As for the Venus statue: the Greek name is Aphrodite, and an interesting tale surrounds the woman who posed as a model when the statue was carved, some two thousand plus years ago. Legend has it that the model was a woman named Phryne, who was the most famous and beautiful courtesan of ancient Athens.  Her outrageous lifestyle caused her to be brought to trial, whereupon she let her robe slip away and swayed the court by virtue of her beauty.

An extended version of the myth has her being banished (lenient, when one considers they were considering burning her at the stake) and sailing west to land in what is now the South of France. Like subsequent tourists to that pleasant part of Europe, she decided to stay and married one of the locals.

Phrye‘s disrobing scene has intrigued artists for centuries. The following interpretation is due to the 19th century painter, José Frappa, and hangs at the Musée d’Orsay.

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This week in the War, 23–29 September: Failure at Dakar

This week in the war, on 23 September 1940, the Free French leader, Charles de Gaulle, arrived with a Royal Navy task force at Dakar on the coast of the Vichy-controlled colony of French West Africa. He sailed on board the Dutch liner Westernland, which flew Free France’s new flag: the French tricolour with the Cross of Lorraine at the centre.

Despite the threat of a German invasion of the British Isles (Operation Sealion), Britain was willing to divert appreciable resources to continue its (undeclared) war against neutral Vichy.

“Remember this,” de Gaulle had announced on the BBC, “France does not stand alone. Behind her stands a vast empire.” He was not referring to the British Empire, but to the French Empire. The plan was to stage a British/Free French landing at Dakar to recapture the colony.

The Royal Navy’s two old battleships, Barham and Resolution, and the aircraft carrier Ark Royal, were pitted against the shore batteries and the modern French battleship Richelieu. The defenders refused to surrender, or to join the Gaullist cause, and their determined defence eventually caused the attackers to withdraw. It was only a minor setback for the British cause, considering that, closer to home, the RAF was winning the Battle of Britain.

The Vichy forces in Dakar would eventually join the Allied cause in 1942, after the Anglo-American invasion of North Africa (Operation Torch), and the Richelieu would sail to the Brooklyn Navy Yard for repairs. Notice, in the picture to the left, that the battleship’s second turret has a gun missing—the result of an explosion in the barrel in September 1940 during the battle for Dakar.

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This week in the War, 23–29 September 1940: Rose Valland—portrait of a heroine

This week in the war, on 24 September 1940, Mademoiselle Rose Valland received a grant of 10,000 francs to conduct research into art. Her adventures are described in Rose Valland: Capitaine Beaux Arts (Dupuis, 2009), a captivating book by Catel, Polack and Bouilhac which is part bande dessinée (comic strip) and part text, and liberally sprinkled with photographs of Mlle Valland during the war years.

Much of the book centres on the Jeu de Paume, the Paris art museum (and former tennis court of Napoleon III) where Nazi leader Alfred Rosenberg set up the Einsatzstab Reichsleiter Rosenberg (ERR) for the purpose of processing confiscated works of art. For confiscated, read looted. For processing, read selling off to the highest bidder or sending off to Hitler for the museum he was planning in Linz.

On the 5th of November, Luftwaffe Chief Hermann Goering—whose forces had fared badly in the Battle of Britain—showed up at the Jeu de Paume to select some choice pieces for Carinhall, his palace on the outskirts of Berlin. The cover of the Rose Valland book shows a German officer inspecting the famous Winged Victory of Samothrace (La Victoire de Samothrace). Maybe this is meant to be a plaster copy? Four such copies were made, and one was eventually retrieved from Carinhall at the end of the war. The original (circa 200 BC) Victory statue was crated before the fall of France and sent for safekeeping to the Chateau de Valençay.

As a member of the Jeu de Paume’s curatorial staff, Rose Valland kept detailed records of the contents of the crates of painting, which arrived by the hundreds, and she took careful note of their ultimate destinations. She did this secretly at night, and at great peril to herself. Part of her story can be found in the book by Laurence Bertrand Dorléac, Art of the Defeat: France 1940–1944 (J. Paul Getty Trust, 2008).

At war’s end, she was awarded the médaille de la Résistance Française and became a chevalier de la Légion d’honneur.

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Vignette: Lumberjills of WWII—The Women’s Timber Corps

lumberjill

‘Jack and Jill went up the hill…’  If this took place in Britain’s woodlands during WWII and if Jill was a Lumberjill, then she wouldn’t be in search of water but of trees to fell, load onto trucks, and drive to the nearby sawmills.

Their uniforms comprised boots and jodhpurs or dungarees, their weapons were saws and axes. The women of Britain’s Women’s Timber Corps, known informally as lumberjills, came together with the formation of the WTC in 1942. The patron was Queen Elizabeth (mother of Queen Elizabeth II). See C. Surry’s post The Lumberjills of WWII.

Since the WTC was part of the (better known) Women’s Land Army, there was little recognition after the war had ended. A war memorial specifically honouring the WTC was eventually put in place at the Queen Elizabeth Forest Park in Scotland: a life-sized bronze statue that shows a lumberjill looking, axe in hand, towards the distant tree tops. Women’s Timber Corps Memorial.

Addressing the need for women to become strenuously involved in war work, British trade union leader and the then Minister of Labour, Ernest Bevin, famously remarked: “It would be better to suffer temporarily than to be in perpetual slavery to the nazis.”

Good for you Ernie. You got that exactly right.

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In the news: Giant Messerschmitt found off the coast of Sardinia

According to the British newspaper The Telegraph (13 September 2012) a team of Italian researchers led by Cristina Freghieri recently discovered a Messerschmitt 323 Gigant (Giant) some 200 feet below the surface of the Mediterranean. The enormous aircraft had been shot down by an RAF Beaufighter in 1943, but was still largely intact after almost seventy years.

The pictures below show Me 323s in operation during WWII. With a wingspan of 181 feet, the Me 323 would have dwarfed even the largest Allied bomber and made the puny Spitfire look like an oversized mosquito. [An earlier glider version (the Me 321) had been ordered for the Wehrmacht with Operation Sealion in mind].

The Me 323s suffered badly in the Mediterranean campaign. Some twenty or so were shot down by Allied fighters in a single day whilst attempting to fly to Tunisia to supply the Afrika Korps. Since only about 200 Me 323s (and the glider version, Me 321s) were ever built, the losses that day constituted 10% of the total production!

Despite its slow speed (maximum 136 mph), the Messerschmitt 323 was one of the most successful German transport planes of WWII. Powered by six (French) Gnôme-Rhône engines, it could carry 130 troops or 10 tons of freight over a range of 685 miles.

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This week in the War, 16–22 September 1940: ‘Hope & Glory’, and the City of Benares

As a boy, I loved Saturday matinees at the ‘pictures’—the ‘movie house’ as Americans would say. Give me a bag of sweets and I was all set for a couple of hours of Hopalong Cassidy.

John Boorman’s movie Hope and Glory starts exactly that way. Summer 1939, and 10-year-old Billy is at the movies. The character of Billy is based upon Boorman’s own experiences as a boy in World War II London: air raids, rationing, the obligatory gas mask.

Billy’s dad enlists but, being a tad too old, ends up as an army office clerk, typing for England. Billy’s older sister Dawn dates a Canadian soldier and ends up pregnant. As far as acting goes, Billy’s mum (played by Sarah Miles—remember Ryan’s Daughter?)  and Billy’s granddad (played by Ian Bannen) steal the show.

My favourite scene occurs at the railway station, where Billy’s mum is about to ship Billy and his younger sister off to Australia. Confrontation with an officious WA woman and Billy’s moaning that he “was going to miss the war” results in a change of mind. Billy and his sister stay put.

The dual threat of the Blitz and Operation Sealion (Hitler’s planned invasion of the British Isles) caused many parents to send their offspring out of harm’s way, mostly to Canada or Down Under.

One of the unhappiest episodes of WWII occurred this week in the war on 18 September 1940, when the U-48 sighted and sank the British steamship City of Benares. The ship was carrying almost a hundred child evacuees from Britain to Canada. Seventy-seven of the children perished.

The picture to the right shows a sad and (as yet) unrescued lifeboat belonging the the City of Benares.

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In the news: Hitler shop opens (and closes) in India

Who would think that Nazi Germany and British India—the Third Reich and the ‘Jewel in the Crown’—would have the slightest thing in common? Mahatma Gandhi’s famous letter to Hitler (below) represents one of the few and little known connections. Until last week.

The British newspaper The Telegraph  reported the opening of a ‘Hitler Clothes Shop’ named, so the owner claimed, not in honour the Nazi Fuehrer but after his own grandfather who was nicknamed ‘Hitler’. (He had a reputation for being strict!).

Check the link in the Huffington Post Hitler Shop in India and notice the swastika in the centre of the dot in the ‘i’ of Hilter sign.

 

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This week in the War, 9–15 September 1940: Luftwaffe bombs Buckingham Palace

This week in the war saw the bombing of Buckingham Palace. Queen Elizabeth (mother of the current queen) famously remarked that she was glad it happened because she would be able to “look the East End in the face.” (The East End of London had suffered the worst from the Luftwaffe raids).

Peter Fearon’s eye-opening account of the British royals, Buckingham Babylon—The Rise and Fall of the House of Windsor, devotes several pages to WWII, including Luftwaffe attacks on the Palace.

On 9 September, a stray bomb struck the Palace. On 11 September, a German bomber flew over the Mall (the boulevard in central London) and dropped six bombs on the Palace.

According to Fearon, the King was in residence at the time and suspected a deliberate assassination attempt by Prince Christoph von Hesse, who had been an SS-Standartenfuehrer prior to becoming a Luftwaffe pilot and was familiar with the layout of the Palace. Right or wrong, that’s quite the WWII conspiracy theory!

The King and Queen, and the two princesses, remained in London throughout the war, despite the Blitz and Hitler’s Operation Sealion invasion plans.

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