In the news: France returns paintings stolen by the Nazis

Pieter Jansz van Asch, self-portrait [Public domain, wikimedia]

Pieter Jansz van Asch, self-portrait [Public domain, wikimedia]

According to the British newspaper The Guardian,  artwork stolen by the Nazis during World War II is about to be returned to the Jewish owners.

Seven paintings were mentioned in the news release. Six were stolen in France.

The seventh was The Halt, by Dutch artist Pieter Jansz van Asch—whose self-portrait is shown to the right. The painting was originally taken by the Prague Gestapo but later found its way to the Louvre by mistake.

All seven painting had been earmarked by the Nazis for the art museum that Hitler had planned to build in Linz, in Austria.

The Linz File: Hitler's Plunder of Europe's Art ----- by Charles de Jaeger [Photograph by Edith-Mary Smith]

The Linz File: Hitler’s Plunder of Europe’s Art —– by Charles de Jaeger [Photograph by Edith-Mary Smith]

Much is known about the theft of European art, particularly by Hitler—who was, himself, something of an amateur artist—and Hermann Goering, Luftwaffe Chief, would-be connoisseur, and collector on a grand scale.

Paintings stolen in France were usually taken by the Einsatzstab Reichsleiter Rosenberg (ERR), and made their way via Paris’s Jeu de Paume to Germany. French Resistance heroine Rose Valland played a major role in the recovery of many such works of art.

Hitler’s ‘Linz project’ is described in the book by Anglo-Austrian journalist Charles de Jaeger: The Linz File: Hitler’s Plunder of Europe’s Art (Wiley, 1981). De Jaeger’s book describes Hitler’s early life as an aspiring artist, and includes reproductions of some of Hitler’s sketches (e.g. of the Hofbrauhaus in Munich) and paintings.

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Vignette: If Hitler had a Facebook page…

Adolf Hitler and Hermann Goering [Attr: Bundesarchiv, Bild 102-16004 / CC-BY-SA, wikimedia]

Adolf Hitler and Hermann Goering [Attr: Bundesarchiv, Bild 102-16004 / CC-BY-SA, wikimedia]

Facebook [Publicdomain, wikimedia]

Facebook [Publicdomain, wikimedia]

The American Civil War felt the impact of photography, and much of the Second World War was reported through motion pictures in the form of newsreels. For Vietnam, it was television. For modern day conflicts, it will likely be social media.

But what if the likes of Facebook, Pinterest, twitter, and so forth, had been available in World War II. Hitler would have chosen Facebook, for sure. [‘F’ for Fuehrer?]. He would want to be out front, in the public view.

Pinterest [Public domain, wikimedia]

Pinterest [Public domain, wikimedia]

For Goering, it would be Pinterest, with separate boards labelled: uniforms, medals, swords, etc.

As for Eva… Pinterest yet again, I’m certain. Boards for Scottie dogs, and shoes and dresses, for a start.

Eva Braun with either Negus or Stasi, and Adolf Hitler with Blondi (if 1942) or Blonda (if 1940), taken at the Berghof [Attr: Bundesarchiv, B 145 Bild-F051673-0059 / CC-BY-SA, wikimedia commons]

Eva Braun with either Negus or Stasi, and Adolf Hitler with Blondi (if 1942) or Blonda (if 1940), taken at the Berghof [Attr: Bundesarchiv, B 145 Bild-F051673-0059 / CC-BY-SA, wikimedia commons]

Let’s face it, she was no slouch with a camera. She was working at the photographer’s when she first met up with Adolf.

Joseph Goebbels [Public domain. wikimedia]

Joseph Goebbels [Public domain. wikimedia]

We should not forget Joseph Goebbels, head of propaganda. You guessed it: twitter.

twitter [Public domain, wikimedia]

twitter [Public domain, wikimedia]

Who knows what impact social media might have had on wars of the past or will have on conflicts in the future. I recently tried to answer a more simple question: What will be their impact on the course of true love? Can the latter be stymied by social media, by the likes of Facebook and twitter? Read my story Coffee with Luna, newly published by Alfie Dog Fiction, and see for yourself how romance hangs in the balance when a nerdy student investigates his potential girlfriend online.

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This week in the War, 10–16 February 1941: Erwin Rommel arrives in North Africa

Erwin Rommel in Tripoli, February 1941

Erwin Rommel in Tripoli, February 1941

This week in the war, 11 February 1941, the British War Cabinet made its fateful decision to send an expeditionary force to Greece, where a German invasion was expected by March. Thus O’Connor lost the resources and the window of opportunity that would have allowed him to continue his advance and to drive the Italians from North Africa.

The next day, German general Erwin Rommel arrived in Tripoli. Units of his Afrika Korps were arriving by the end of the week.

Rommel was bold, unorthodox; he was The Desert Fox. As his star rose, a series of British generals were to decline and fall: Wavell, Cunningham, Richie, Auchinleck, and, of course, O’Connor, who was captured.

Rommel would advance, besiege Tobruk, take Tobruk, and eventually enter Egypt. It would take two Battles  of Alamein to stop him. By then, Hitler had opened a whole new front. He was diverting vastly more resources away from Rommel and towards Russia than Churchill had ever diverted away from O’Connor and towards Greece.

Units of the Afrika Korps in North Africa, early part of 1941

Units of the Afrika Korps in North Africa, early part of 1941

By 1944, with North Africa long since lost to the Axis, Rommel headed Army Group B and was charged with the task of repelling the Allied invasion of northern France. He was to die later that year by his own hand, forced to commit suicide as a result of his complicity in the failed 20 July bomb plot against the Fuehrer.

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This week in the War, 3–9 February 1941: Give us the tools, and we will finish the job.

WWII poster [Public domain, wikimedia]

WWII poster [Public domain, wikimedia]

Winston Churchill during WWII [Public domain, wikimedia]

Winston Churchill during WWII [Public domain, wikimedia]

This week in the war, on 9 February 1941, Churchill made a major radio broadcast to the British people.

He spoke of Britain’s strength at sea, and in the air—where the RAF had “beat off and beat down the Nazi attack” during the battle of Britain—and of Britain’s larger and better equipped army. He continued to warn of the likelihood of Hitler invading the British Isles—Operation Sealion, as the Germans called it.

Above all, Churchill spoke to Americans.

He told how Wendell Willkie, Franklin D. Roosevelt ‘s opponent in the election of the previous November, had brought to England a letter of introduction from the President. Thinking of Britain and the war raging in Europe, Roosevelt had written out, long-hand, a section of verse from Longfellow:

Humanity with all its fears,                                                                                                         With all the hopes of future years,                                                                                                      Is hanging breathless on thy fate!

Churchill gave his answer to the President, there and then, over the airwaves, at the same time asking, with typical Churchillian eloquence, for continued American aid: “We shall not fail or falter; we shall not weaken or tire. Neither the sudden shock of battle, nor the long-drawn trials of vigilance and exertion will wear us down. Give us the tools, and we will finish the job.”

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In the news: Eva Braun’s home movies

Eva Braun with either Negus or Stasi, and Adolf Hitler with Blondi (if 1942) or Blonda (if 1940), taken at the Berghof [Attr: Bundesarchiv, B 145 Bild-F051673-0059 / CC-BY-SA, wikimedia commons]

Eva Braun with either Negus or Stasi, and Adolf Hitler with Blondi (if 1942) or Blonda (if 1940), taken at the Berghof [Attr: Bundesarchiv, B 145 Bild-F051673-0059 / CC-BY-SA, wikimedia commons]

Eva Braun’s birthday was a day or so ago, 6 February (1912) and, last week, an article about her and the movies she made appeared in the Guardian and Observer (Robert McCrum and Taylor Downing, 27 January 2013).

Eva and Adolf Hitler ‘discovered each other’ through the official Nazi photographer, Heinrich Hoffmann. She was Hoffmann’s assistant in his shop in Munich, and (like much of the female population of Germany) she immediately fell for Hitler. She also developed a lifelong interest in photography—both still photos and movies. Her pictures record the Nazi elite at play in the Fuehrer’s Berghof home in Bavaria. (In her more fanciful moments, she saw herself as a movie star, akin to the ones in Hollywood).

In their newspaper article, McCrum and Downing recount how the American army seized Eva’s 16mm home movies after the war had ended. They were lost, but were eventually unearthed in a US National Archives repository in Maryland by film historian Lutz Becker.

The Lost Life of Eva Braun---by Angela Lambert (St. Martin's Press, 2006)

The Lost Life of Eva Braun—by Angela Lambert (St. Martin’s Press, 2006)

Eva Braun: Life with Hitler---by Heike B. Gortemaker (Alfred A. Knopf, 2011)

Eva Braun: Life with Hitler—by Heike B. Gortemaker (Alfred A. Knopf, 2011)

 

 

 

 

 

 

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Eva Braun—the woman who Hitler hid from  the world but married the day before their joint suicide—continues to fascinate the world 70 years later. Two recent biographies have appeared, one by Angela Lambert (2006) and the other by Heike B. Görtemaker (2011). Both relate the simple bourgeois life that Eva and Hitler spent together, mostly at their Berghof home in the mountains of Bavaria, and partly at the Chancellery in Berlin. Both books contain numerous pictures, some of which were taken by Hoffmann or were discovered in Eva’s photo album.

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This week in the War, 27 Jan–2 Feb 1941: Occupied Paris

Dans Paris Occupe --- by Paule Bouchet (Gallimard Jeunesse, 2005)

Dans Paris Occupe — by Paule Bouchet (Gallimard Jeunesse, 2005)

Hélène Pitrou was a child, growing up in Paris during the dark years, the years of German occupation. [Check the book by historian Julian Jackson, France–The Dark Years 1940-1944]. Hélène kept a diary, un journal, as one says in French.

When I check one of the entries in Hélène Pitrou’s diary for this week in the war, specifically for Wednesday 29 January 1941, I read [and this is translating roughly from the French] that her frightful teacher, Mr. Bourgeois, told the class that morning that three students, namely Josette Goldstein, Suzanne Weil, and Marguerite Grumbach, must move to the back of the room. Josette asked why. Then, with the whole class watching, the teacher said that the three girls should consider themselves lucky that they were allowed remain at all.

One quickly notices that those names sound Jewish, and indeed they are. Persecution of the Jews, both in the Occupied and Unoccupied zones was being ramped up at this stage of the war. The Vichy regime (and particularly Pierre Laval) was not merely complicit, but enthusiastic.

Walk the streets of Paris and stop at the occasional school. Often, there is a plaque outside in memory of the many Jewish children who were sent to the French concentration camp at Drancy and thence to the extermination camps in eastern Europe.

Hélène’s diary is not exactly like the Diary of Anne Frank. Hélène was not Jewish. And she attended school. She did not have to go into hiding. There is one further and significant difference: Hélène Pitrou never existed. She is a fictional creation of French author, Paule Bouchet.

Dans Paris occupé—Journal d’Hélène Pitrou, 1940-1945, supposedly written by Hélène but actually written by Paule Bouchet, is a gem of French children’s literature. France is only now beginning to reconcile itself with the dark years, and there is a need to engage the young, to provide accounts and explanations that school children will relate to.

The Journal of Helene Berr --- translated by David Bellos

The Journal of Helene Berr — translated by David Bellos

For something closer to the Diary of Anne Frank, try the diary of another Hélène. The Journal of Hélène Berr (translated into English by David Bellos) was published by McClelland & Stewart in 2008. Hélène Berr’s diary records her life in German-occupied Paris. She was a graduate of the Sorbonne, but was denied entry into postgraduate studies. Like Anne Frank, Hélène Berr was Jewish and, like Anne, she ended her days as a concentration camp prisoner and died of typhus shortly before the war would end.

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In the news: Patty Andrews—last of the Andrews Sisters, dies at 94

The Andrews Sisters. From top to bottom: LaVerne, Patty, and Maxine [Public domain, wikimedia]

The Andrews Sisters. From top to bottom: LaVerne, Patty, and Maxine [Public domain, wikimedia]

Patty Andrews, the last of the Andrews sisters, died in Los Angeles yesterday, Wednesday 30 January 2013, at the age of 94.

They were really sisters, and are shown here in a vocally upside-down order: LaVerne (who had the low voice), Patty (who had a middle-range voice), and Maxine (who could hit the high notes).

Patty’s voice was in the middle and she was always physically between her sisters when performing.

They entertained Allied troops throughout World War II, putting on shows in the USA and foreign theatres of war, Africa and Italy. Who hasn’t heard or heard of their greatest hits? Songs such as The Boogie Woogie Boy of Company B. Try this old recording of Don’t Sit Under the Apple Tree. Gordon Jenkins deserves credit for arranging and conducting the orchestra and chorus for this Andrews Sisters retrospective of their nostalgic hit I Can Dream, Can’t I?

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This week in the War, 20–26 January 1941: Tobruk

British Matildas move against Tobruk, 1941 [Public domain, Imperial War Museum]

British Matildas move against Tobruk, 1941 [Public domain, Imperial War Museum]

Forces under British general Richard O’Connor—and the Australian 6th Division, in particular—were racing westward along the coast of Libya. This week in the war, on 22 January 1941, they captured Tobruk—one of the most heavily fortified towns in Italy’s colonial empire.

Seventy-two years later, a striking photo of Allied guns firing on the outskirts of Tobruk became The Guardian‘s picture of the week.

The triumph of O’Connor and his troops is described in the highly-readable and fascinating book War Without Hate—The Desert Campaign of 1940-1943 by John Bierman and Colin Smith (Penguin, 2004).

Aussies near Tobruk 1941[Public domain, Australian War Memorial]

Aussies near Tobruk 1941[Public domain, Australian War Memorial]

Among other things, Bierman and Smith recount the astonishment of Allied troops on discovering the enemy’s ample (lavish, even) provisions in food and furnishings: fine cheeses, chocolates and jams (both of the latter rationed in war-torn Britain), wooden chests, linens and parade-style uniforms with coloured sashes and feathered hats.

The Brits and Aussies would not keep Tobruk for ever. Rommel was on his way, and Montgomery would eventually arrive. The town would change hands a few more times.

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In the news/This week in the War, 20–26 January 1941: Presidential Inauguration

Franklin Delano Roosevelt [Public domain]

Franklin Delano Roosevelt [Public domain]

Barack Obama [Public domain]

Barack Obama [Public domain]

Today is the day of Barack Obama’s public inauguration as President of the United States. The Chief Justice remembered his lines, Michelle’s dress met with universal approval, and the President entered his second term without a hitch.

This week in the war, 20 January 1941, President Franklin Delano Roosevelt was inaugurated and entered his third term as President. A striking video of the FDR inauguration was put out recently by The Guardian newspaper.

Health care, gun control, putting the country on its feet, are issues with which Obama is currently grappling. With Roosevelt, the issues were neutrality (i.e. backing out of it) and increased war aid for Britain.

It would be a different world, today, if FDR had not won a third term. Britain would likely not have survived, and Hitler would have won a war that the USA might never have entered.

Obama, too, might make the world a different place. Let’s wait and see.

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This week in the War, 13–19 January 1941: James Joyce

James Joyce [Public domain]

James Joyce [Public domain]

James Joyce memorial plaque, Paris [Attr: author: Monceau, creative commons]

James Joyce memorial plaque, Paris [Attr: author: Monceau, creative commons]

I have never read Ulysses, James Joyce’s masterpiece, so chock full of dialect and scattered lightly, here and there, with Irish Gaelic.

A friend of mine has read it, and someone else I know pointed recently to the podcasts of Irish writer, Frank Delaney, who has divided the great work into bite-sized chunks, which he reads and interprets every Wednesday, Re: Joyce (rejoice?).

But I have been to Shakespeare and Company, a Parisian bookshop of the old-fashioned kind, that stocks one of everything (in English), not just bestsellers, and the staff are knowledgeable about their wares.

Shakespeare and Company [Attr: author: celebrategreatness, creative commons]

Shakespeare and Company [Attr: author: celebrategreatness, creative commons]

Joyce went there, too, but it wasn’t where it is today. In Joyce’s day, S and C stood a few streets away at rue de l’Odéon and was as famous amongst ex-patriot English speakers as were its proprietors: Sylvia Beach—‘Miss Beach’, as Joyce always called her—and her friend and lover, Adrienne Monnier. Joyce made Shakespeare and Company practically into his office and for the two women: it was essentially their home. Their apartment was above the shop. Hemingway loved the place and paid a small fee to borrow books, using the shop more as a lending library. Gertrude Stein and her companion, Alice B. Toklas, were regulars. Likewise the poet W.H. Auden and the novelist F. Scott Fitzgerald.

Much of this transpired before the Second World War, and much of it during, with the Nazis occupying Stein’s beloved Paris. She and Alice remained throughout the Occupation, as did Shakespeare and Company’s stalwart proprietors, Miss Beach and Adrienne.

James Joyce wrote Ulysses whilst living in Paris, at 71 rue Cardinal Lemoine. He died, this week in the war, on 13 January 1941.

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