{"id":1803,"date":"2012-09-05T21:45:10","date_gmt":"2012-09-06T03:45:10","guid":{"rendered":"https:\/\/secondbysecondworldwar.com\/?p=1803"},"modified":"2012-09-05T21:45:10","modified_gmt":"2012-09-06T03:45:10","slug":"vignette-the-art-of-jean-pierre-gibrat-the-flight-of-the-raven","status":"publish","type":"post","link":"https:\/\/secondbysecondworldwar.com\/?p=1803","title":{"rendered":"Vignette: The art of Jean-Pierre Gibrat&#8212;The Flight of the Raven"},"content":{"rendered":"<p>One day, if I write a spy story set in Nazi-occupied Paris, with a bright young heroine named&#8230; Maybe her name doesn&#8217;t matter, but I would definitely write a scene where she escapes over the rooftops exactly as Jean-Pierre Gibrat&#8217;s heroine, Jeanne Cadrieux, does in Gibrat&#8217;s two-volume <em>bande dessin\u00e9e<\/em> titled <em>Le Vol du Corbeau<\/em> (<em>The Flight of the Raven<\/em>).<\/p>\n<p><a href=\"https:\/\/secondbysecondworldwar.com\/?attachment_id=2152\" rel=\"attachment wp-att-2152\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2152\" title=\"Jeanne on the covers of volumes 1 and 2 of Gibrat's BD 'Le Vol du Corbeau'\" src=\"https:\/\/secondbysecondworldwar.com\/wp-content\/uploads\/2012\/09\/Wgibratvol.jpg\" alt=\"\" width=\"276\" height=\"183\" srcset=\"https:\/\/secondbysecondworldwar.com\/wp-content\/uploads\/2012\/09\/Wgibratvol.jpg 276w, https:\/\/secondbysecondworldwar.com\/wp-content\/uploads\/2012\/09\/Wgibratvol-150x99.jpg 150w\" sizes=\"auto, (max-width: 276px) 100vw, 276px\" \/><\/a>Jeanne is shown (extreme left) on the cover of volume 1 of <em>Le Vol du Corbeau,\u00a0<\/em>clinging perilously to the side of a building, high above Paris. Those white gloves will get awfully dirty, Jeanne!<a href=\"https:\/\/secondbysecondworldwar.com\/?attachment_id=1762\" rel=\"attachment wp-att-1762\"><br \/>\n<\/a><\/p>\n<p>She is shown on the cover of volume 2, no gloves but still with the red beret. She is aghast at what she has done. And she has good reason. She has just shot a German soldier with his own rifle.<\/p>\n<p><em>Le Vol du Corbeau<\/em> is the sequel to Gibrat&#8217;s earlier bande dessin\u00e9e <em>Le Sursis\u00a0<\/em>which starred Jeanne&#8217;s sister, C\u00e9cile. [See my post of 29 July 2012, tagged under <em>Gibrat<\/em>].<\/p>\n<p>Gibrat is the unquestioned master of setting. Volume 1 of <em>Le Vol du Corbeau<\/em> mostly takes place on the rooftops, among the chimney breasts of Paris&#8217;s ubiquitous mansard roofs. Volume 2 is set largely on the river, aboard one of the Parisian barges that sail up and down the Seine.<\/p>\n<p>The story in a nutshell:<\/p>\n<p>Volume 1 of <em>Le Vol du Corbeau<\/em> begins with Jeanne in jail. She has been reported for black market (<em>march\u00e9 noir<\/em>) \u00a0activities and the police have searched her apartment and discovered a cache of weapons. Jeanne is working for the French Resistance.<\/p>\n<p>While the local police chief ponders whether or not to hand her over to the Gestapo, a burglar named\u00a0Fran\u00e7ois Michaud is tossed into Jeanne&#8217;s cell. Fran\u00e7ois helps her to escape, and the two of them flee over the rooftops.<\/p>\n<p>Fran\u00e7ois then takes her to his friends who own a barge, and they sail from Paris.<\/p>\n<p>Complication of Volume 2: A German soldier is stationed aboard the barge. Further complication: Jeanne shoots him when he tries to force himself upon her. What to do with the body?<\/p>\n<p>It&#8217;s never good to tell an ending. Please read the book. It&#8217;s well worth it. [Only available in French, I believe]. Those who would like to see Jeanne and C\u00e9cile reunited will not be disappointed. Likewise, those who would like to see Jeanne and Fran\u00e7ois become lovers.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One day, if I write a spy story set in Nazi-occupied Paris, with a bright young heroine named&#8230; Maybe her name doesn&#8217;t matter, but I would definitely write a scene where she escapes over the rooftops exactly as Jean-Pierre Gibrat&#8217;s &hellip; <a href=\"https:\/\/secondbysecondworldwar.com\/?p=1803\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[44,156,1],"tags":[165,211,42,212,160,162,163],"class_list":["post-1803","post","type-post","status-publish","format-standard","hentry","category-book","category-vignette","category-world-war-ii","tag-bande-dessinee","tag-black-market","tag-french-resistance","tag-gestapo","tag-gibrat","tag-le-sursis","tag-le-vol-du-corbeau"],"_links":{"self":[{"href":"https:\/\/secondbysecondworldwar.com\/index.php?rest_route=\/wp\/v2\/posts\/1803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/secondbysecondworldwar.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/secondbysecondworldwar.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/secondbysecondworldwar.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/secondbysecondworldwar.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1803"}],"version-history":[{"count":23,"href":"https:\/\/secondbysecondworldwar.com\/index.php?rest_route=\/wp\/v2\/posts\/1803\/revisions"}],"predecessor-version":[{"id":2167,"href":"https:\/\/secondbysecondworldwar.com\/index.php?rest_route=\/wp\/v2\/posts\/1803\/revisions\/2167"}],"wp:attachment":[{"href":"https:\/\/secondbysecondworldwar.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/secondbysecondworldwar.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/secondbysecondworldwar.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}